Beautiful Princess Insults An Old Beggar On The Street, Then This Happened

The farms are already busy this morning. Um does not feed itself. Keep the entrance clear. The king is already awake. My king, your body needs rest. I will rest when I am dead. My people still need their king. I cannot meet the elders today. Princess Chica can receive them, my king. She is my only child. Let her learn.

[music] My princess, there is truly no maiden in this kingdom as beautiful as you. You are only saying what everyone already knows. Even women from other kingdoms will be jealous when they see you. They should be. [music] [singing] [music] Are you blind, my princess? Forgive me. You stood there while I was coming.

I did not see you, my princess. So now I am too small for you to see. No, my princess. I did not mean enough. Let her work in the firewood shed until sunset. My princess, please. My mother is sick. Did I ask about your mother? No, my princess. Then go, [music] >> my princess. >> What? >> The girl made a small mistake.

So >> perhaps the punishment was too much. >> Ekkenna, are you questioning me? >> No, my princess. I am only saying that sometimes mercy makes people respect a leader. >> I don’t need them to love me. >> I said respect. >> It is the same thing. >> It is not always the same. [music] >> As long as they obey me, I am satisfied.

>> A kingdom needs a man who will lead the warriors when the king is gone. King Amecha should have had a son. She hears every word. >> Yes, she does. >> Nono. >> Mama, >> you worked on the farm yesterday. Now you are repairing this fence. Later you said you are going hunting >> and >> you will kill yourself because of me.

>> Mama, don’t say that. You spend everything you get on food and medicine. When will you begin thinking about yourself? >> When I could not walk, who carried me? >> I am your mother. >> When papa died and left us, who took care of me? When I was hungry, who fed me? >> That is different. >> It is not different.

 You carried me when I could not carry myself. Now allow me to carry you. >> You have your father’s stubbornness. You used to say I had his good heart. >> I changed my mind. Your father taught you well. People still ask for you whenever there is a festival or wrestling celebration. >> You drum better than many men in Umo. But drums do not fill this ban.

>> That is why I farm and hunt. >> And you still find time to train with staffs and spears. >> Yes, mama. >> [music] >> Olanma, since you returned, every young man suddenly has business near your compound. >> That sounds like their problem. >> You have been looking at that man for a long time. >> Which man? Nonso.

>> I was looking at the work. >> Of course. >> Do not start. >> Hola. I am your cousin. I know you. >> Uch. I have told you to mind your own business. >> You have been back from the city for only a short time. And three wealthy families have already asked about you. Yet the only man you keep watching is Mama Goi’s son.

>> Nonso is hardworking. >> That is all. >> What else should there be? >> He is poor. >> That does not mean he will remain poor. And I did not say I want him >> good because I was beginning to wonder. >> I like him. >> Olma, that rapper looks beautiful on you, but your beauty is what everyone notices first. Your father’s barns are overflowing.

Your family returned from the city with more wealth than before. >> Olama, you are looking beautiful today. Even your rapper is finer [music] than anything in the market. Good afternoon. >> Why does he barely look at me? [music and singing] >> [music] >> Mangazi, >> what is all this? >> Holau sent them >> for me.

>> Yes, mama. She heard you have not been feeling well. >> I see. >> Mama, where did these come from? >> Olama sent them. >> She heard I was sick. She heard you were sick and decided to send half her family’s ban. >> Leave the girl alone. >> I did not say anything. >> You have already said enough with [music] your face.

Olama is a good girl. She seems kind. Yes, she learned many things while living in the city. Her family is doing very well. They have enough farmland here too. Their bands are full. Their animals are plenty. Now I understand. A woman like you should not still be worrying about medicine at your age. What are you saying? I am only saying that when good families come together, everybody benefits. I have heard you.

 I did not say anything. You said enough. [music and singing] None. So >> mama, >> that young lady, Olama, she likes you. >> Mama, >> do not mama me. I did not say you must marry her. >> She has not told me anything. >> But she does not have to. Those things have been talking for her. [laughter] >> She is beautiful.

>> I have eyes. Her family is wealthy. >> I know. >> If you marry such a lady, life would become easier. >> Mama, is that what you want? >> I want you to have a good life. >> I have a good life. >> Nonso. >> I know what you mean. >> Then think about it. >> Olama is beautiful. She comes from a good family.

 But I have seen how she talks to people who have less than her. She looks down on them. >> People can change. Yes, but I cannot choose a wife because her father has many yams. Wealth can make life easier, mama, but it cannot make a person kind. >> I will not force you. >> Thank you. >> But I will still eat the fish she sent. >> That one is between you and >> Nonso [music] knows.

>> Knows what? that you have been sending things to his mother. >> That was not a secret. >> He understands why >> and >> he has not said anything. >> Nothing. >> Nothing. >> He did not ask about me. >> No, >> he did not say he wanted to visit. After everything I sent, a man like Nonso should be grateful that a family like mine even notices him.

>> So now you admit you notice him? >> I said nothing. I heard nothing. >> Why is he not interested enough in me? >> My princess. My princess, please. I have not eaten since yesterday. Anything will help me, even a little food. >> Did you not see that I ignored you? >> I am hungry, my princess. >> And what should I do about that? Please, >> Obie, move her.

>> You touched me. >> Forgive me, my princess. I lost my balance. >> Remove your filthy hands from me. [sighs] >> I am sorry. >> You beg for food. I ignore you. And now you decide to dirty my clothes. >> I did not mean to. >> Look at yourself. You smell. Your clothes are dirty. Yet you think you can put your hands on a princess? >> My princess, perhaps we should just >> Did I ask you to speak? >> No, my princess.

>> Take this useless woman away. >> Wait. >> You are very proud of your beauty. >> Have you suddenly lost your senses? >> You are proud of your royal blood. You are proud because people bow when you pass. You believe those things make you greater than people like me. Take her away. >> You refuse food to a hungry woman because you believe she was too dirty for you to notice.

>> You should be careful how you speak to me. >> It is you who should have been careful. You love your beauty so much. Then your beauty will become the thing you lose. You will become frightening to look at. Those who praise your face will turn away. Men who would have followed you today will fear standing close to you.

>> What nonsense. You will remain that way until you learn to truly love another person. And someone must look at what you have become and still love you freely. >> You are a mad old woman. Throw her out. >> Remember my words. >> Get her away from me. >> True strength is not cruelty. >> True strength is justice.

>> True strength is not pride. >> True strength is kindness. >> True strength is love. >> True strength is love. My princess, what is happening to my voice? >> What? Nothing. My princess, what are you looking at? >> No. >> You will become frightening to look at. NO. >> [screaming] >> GET OUT, MY PRINCESS. I SAID GET OUT.

>> NO, >> I’ll be >> my princess. >> Remove every mirror from this palace. >> My princess, >> every one of them. Anything that can show my face, remove it or cover it. And nobody comes into this part of the palax without my permission. >> Yes, my princess. >> What are you looking at? >> Nothing, my princess.

 If I hear that anyone is talking about my face, that person will regret it. >> Chica. >> Father, you should be resting. [crying] Chica, what happened to you? >> Do not look at me. >> You are my daughter. >> I said do not look at me. >> Come here. >> No, >> Chica. I don’t want your pity. >> This is not pity. >> Look at me, father.

>> I am looking at you. >> No. Look at what I have become. >> You are still my child. >> The old woman did this. >> What old woman? >> The beggar from yesterday. >> Obi, >> take every guard you need. Find her. >> Yes, my princess. >> Search every path, every market, every place beggars gather.

 Question every old woman who fits her description. >> Chica, be careful. Do not punish innocent people because you are afraid. >> I am not afraid. I just want this fixed. >> Do what she says, but do not harm innocent people. Yes, my king. >> Check the market parts and every place poor people gather. We are looking for an old beggar.

Search farther along those paths. Thin old woman, dirty clothes. She begged near the palace. Have you seen her? >> No, my son. No woman like that has passed here. >> How can one old woman disappear? >> Well, >> we could not find her. >> What do you mean? >> We searched everywhere we could. >> You searched everywhere and one old woman disappeared.

>> My princess, >> go back. >> We have already >> go back. >> Yes, my princess. Princess Chica has not appeared in public for days. >> Some people say she is seriously ill. >> Others say an evil spirit attacked her. >> Nobody knows what is happening inside that palace. My princess, another elder is asking to see you.

>> Send him away. >> He says the matter is important. >> I said I am seeing nobody. I can command everyone here. Yet I cannot command my face to return. Dibia, have you heard? Something strange has happened to Princess Chica. What kind of strange thing? Nobody knows. They say she hide inside the palace now.

 A frightened palace may pay well. >> What do you want? I have come to help your princess. Who sent for you? Nobody. But sometimes help arrives before it is called. You will wait. The princess decides who enters. I don’t need another useless man making promises. >> My princess, if I fail, send me away. >> But if I succeed, you will have your beauty again.

>> Come inside. >> Can you remove this curse? >> I have seen difficult things. >> That was not my question. >> Yes, I can help you. >> Then do it. Nothing is happening. >> Give it time, my princess. The palace treats its healers well. >> You said you could help me. >> I can. >> Then why do I still look like this? >> I have discovered something.

>> What? The curse is stronger than I first thought. What do you need now? A young man. What kind of young man? >> Unmarried, pure, a man whose spirit has not been mixed with a woman. >> And what will you do with him? >> I must examine him first. >> Obi, >> my princess, >> bring me several unmarried young men.

Men who have never been with a woman. Okoro says he needs to examine them. >> Yes, my princess. >> What have we done? >> Nothing. The princess ordered that you be brought here. >> You have never been with a woman. >> No, Dia. [panting] [sighs] >> Still nothing. >> You are wasting my time. >> My princess, I now understand what is missing.

>> You have been saying that since you arrived. >> This time I am sure. >> What? >> Blood. >> Whose blood? >> The blood of a man who has never slept with a woman. The course requires something pure. Are you telling me to kill an innocent man? >> I did not use the word kill. >> Then how do you plan to take enough blood to break a curse? You want me to murder someone because I want my face back? >> My princess, powerful causes require powerful sacrifices.

>> NO, MY PRINCESS. >> I said no. >> If you want your beauty again, >> I am cruel, Okoro. I am not a murderer. You have eaten my food, taken my livestock, collected my rappers, and every time you fail, you bring another story. >> My princess, listen. >> You are a fraud. >> No, >> Obby. >> My princess, >> take him away.

 My princess, give him enough beating to remember this palace, then throw him out. >> Maybe your face is not the problem. Perhaps nothing will change until you change. Take him away. Daughter of the king. >> Perhaps you should think about what the old woman said. >> Not you too, father. >> I am only asking you to think. >> I need that old beggar to fix this.

 That is all. >> Fear is making her harder. >> Go and never come back. >> They know nothing about the things I have done beyond these walls. Mama, is the pain worse? >> It will pass. >> You said that yesterday. >> And it passed yesterday. >> I can go and look for the herbs you normally use. >> No, you have work to do.

>> The farm can wait. >> I know where to find them. I will not go far. >> Are you sure? >> Yes. Go before the sun becomes too hot. >> Do not stay long. Now you are speaking to me like I am your child. [laughter] >> You behave like one sometimes. >> Go away. >> These are the leaves. I used to collect them here before the guards became so strict. They always ease this pain.

>> You there? What are you doing here? I am only gathering herbs. >> Herbs? >> Yes, my son. I am sick. These leaves help with the pain. >> Where do you live? >> My compound is over there. >> An old woman hiding around the palace garden. >> I am not hiding. >> Come with us. >> For what? >> The princess will question you.

>> I have done nothing. >> Then you have nothing to fear. My son will be waiting for me. Nonso does not even know where I came. >> Move, >> please. I only came for leaves. >> Tell that to the princess. >> My son will be worried. My [music] princess, where did you find her? >> Around the palace garden. >> Doing what? >> She claims she was gathering herbs.

 I was gathering herbs, my princess. I did not steal anything. Have you seen an old beggar around this palace? What beggar? An old woman, thin, dirty clothes. She came here some days ago. I do not know her. You expect me to believe that? I cannot tell you what I do not know. You were found wandering around my palace.

 I was not wandering. I came for medicinal leaves. You came all the way here for leaves? Yes, my princess. There are no herbs anywhere else. These particular ones help me. You old women know each other. Beggars, healers, herb sellers. You hear things. I know nothing about the woman you are looking for. Perhaps a knight inside the palace cell will help you remember.

>> My princess, please. Obi. >> Yes, my princess. >> Keep her. My princess, forgive me. I only mean that I have done nothing. Take her away please. My son does not know I am here. >> Come with me. >> My son will come looking for me. >> Mama. Mama. >> She said she would not stay long. Something is wrong. >> Please.

 Did you see Mangazi today? No, I have not seen her. >> Not here either. >> None. So, >> yes, Papa. >> Are you looking for Mangoi? >> You saw her? I saw palace guard taking an older woman towards the palace this morning. I could not see her well, but she looked like your mother. The palace? Yes, mama. Please let her be all right. Where are you going? I am looking for my mother. Go home.

 She was brought here this morning. So she is here. Nobody said that. Then allow me inside. You cannot enter the palace because you feel like it. My mother is sick. Step back. I only want to see her. I said [music] step back. >> Nonso. >> Mama. >> No. Nonso. Go home. Leave her. >> Do not fight them. Nonso, please. >> What did she do? >> What is happening here? >> What are you looking at? >> Forgive me, my princess.

>> Who are you? >> My name is Nonso Okafo. That woman is my mother. Then take yourself home. >> Not without her. >> Did you hear me? >> Yes. >> Then leave. >> My mother has done nothing. >> That is not for you to decide. >> She came here to gather herbs. >> That is her story. >> It is the truth. >> You are standing inside my palace telling me what is true.

>> With respect, my princess, being the princess does not make something true simply because you say it. Nonso, you have courage. >> I am only asking you to release my mother. >> And I said no. >> She is sick. >> That changes nothing. >> She cannot spend another night here. Then keep me. >> What? >> Release her and keep me instead.

>> No, >> mama. >> No. You will not do that. >> The rumors say you want someone who may know something about an old beggar. I move around the kingdom more than my mother does. I [music] farm. I hunt. I enter the forest. I am more useful. Keep me and let her go. >> Nonso listen to me. You are young >> and you are sick.

>> I have lived my life. >> Mama, stop. >> You have your whole life ahead of you. >> And what kind of son would I be? If I walked home while you remained here for something you did not do? >> You cannot do this. >> I can, Obie. Yes, my princess. >> Release the woman. My princess, he stays. >> No, please. >> Mama, go home.

>> I will not leave you here. >> You must. >> What if something happens to you? >> Nothing will happen. >> You do not know that. >> I will survive. >> My son, >> go home and take your medicine. I will come back to you. Obie, >> take him inside and lock [music] him up. I came here to save mama. >> That is all. [music] >> [singing] >> Mama, are you all right? >> My name is Neca, a palace maid. You

should eat. >> I am not hungry. >> You said that yesterday. >> I will eat later. >> You are worried about your mother. Would you not be? >> I would. >> She is sick. I don’t even know if she reached home safely. >> She did. >> How do you know? >> One of the guards returned from that side of the kingdom yesterday.

 He said people saw her at home. >> Thank you. >> At least eat now. >> Everywhere I look, I see none. So my son, are you all right? >> You have to [music] eat, Nosy. How will I eat when my son is inside that palace because of me? He chose to save you. That is exactly why I cannot sit here. The Nosu family has influence and Oama clearly likes my son.

 Perhaps they can help me bring Nanso home. Mama Goazi, what happened? You look tired. >> It is Nonso. >> What happened to him? >> The princess has him. >> What do you mean she has him? >> Nonso came looking for me. He offered himself in my place so that Princess Chica would release me. She kept him. Yes. For doing what? Nothing.

 A royal family cannot simply seize people because they have power. >> I don’t know who else can help me. >> If Nonso had accepted the kind of future that was being open to him, perhaps he would not be in this situation. >> Mama, I did not mean. >> My son is being held against his will and you are thinking about whether he should have chosen you.

>> No, >> that is what it sounded like. >> You are [music] right. I spoke badly. I am sorry. I only want my son home. I [music] will help. >> You will? Yes. We need to find elders who can question what is happening in that palace >> because of nonso. >> Because an innocent person is being detained. >> OMA. >> Do not start.

>> I said nothing. >> Then keep saying nothing and do what I asked. My king speak. >> We have come because people are becoming worried >> about what? >> People say villagers have been taken into the palace without judgment. >> People say many things. >> Was an older woman detained here? She was questioned. >> And her son, Chica, >> she was found around the palace garden while we were searching for someone.

>> And the young man, >> he chose to remain in her place. >> That does not explain why he is. >> This is a palace matter. >> My princess, when palace matters begin affecting innocent families, the elders have a right to ask questions. They are right to ask. >> Father, >> if the young man has committed no crime, you must be careful how long you keep him. He insulted me in my own palace.

>> That is not enough reason to keep a man forever. >> He challenged me. >> His mother is worried. And the Nosu family has also raised concerns. >> No. >> Yes. >> Why are they concerned about him? >> They know the family. He is close to their daughter Olanma. >> Who is Olan Manasu? >> The young woman who recently returned from the city.

So, you know her? >> Many people know the Nosu family. >> What does she want with Nonso? >> I am tired of staring at those walls. Whose drum is that? >> That one. It has been there for years. >> Does anybody use it? >> Not anymore. You know how to play? >> My father taught me. >> Then play >> here. >> [music] >> Do not fight the drum. Nonso.

 Listen to it. >> I said I don’t want anyone coming in here without permission. >> Yes, my princess. >> Then why did What is that? >> Someone is playing the old drum. >> Who is playing? I will find out. No >> dance. Chica, [cheering] >> leave it. I had forgotten that night. You were playing that drum yesterday. >> Yes. >> Play it again.

>> No. >> What? >> I don’t want to play. >> I did not ask what you want. >> Then why ask me? >> Do not forget where you are. >> I haven’t. I can have you taken back into confinement. >> You may command where I stand. You cannot command what is inside me. >> How dare you? Obby, >> my princess, >> what? >> Please. >> Please, what? >> He has not insulted you.

>> He refused my order. >> And punishing him will not make him want to play for you. >> Leave. >> What? >> Nothing, my princess. Then remove that expression from your face. >> Yes, my princess. [music] >> My princess, forgive me. [sighs] >> Do you know how many times I have warned all of you about carelessness? [music] >> My hand slipped.

>> Take her away. My princess, please >> keep her until tomorrow. >> My princess, it was an accident. >> Would you like to join her? >> No. >> Then be quiet. >> Adaku made one mistake and now she is locked away. Nobody even wants to eat. The princess is becoming cruer with each passing day. You have to help >> with [music] what? >> Adaku, >> what happened? >> Adaku dropped a bowl of palm oil.

 It was an accident, but Princess ordered her locked up until tomorrow. >> That woman enjoys creating problems. [music] >> Please, >> what do you expect me to do? >> She listens to you. >> Which Princess Chica are you talking about? >> Maybe she does not know she listens, but she does. >> Neca, I am not going. >> Adaku did nothing.

>> I know. >> Then help her. >> Fine. You came to see me willingly. >> Don’t become excited. >> What do you want? >> Release Adaku. >> No. >> Then good night. >> Wait. You came here to ask me one thing and you are already leaving. >> You said no. What did [music] you expect? Release her and I will play the drum for you.

>> Are you bargaining with me? >> Yes. >> I am a princess. >> I know >> you are standing in my palace and bargaining with me. >> Yes. >> You have no fear. >> I have fear. I simply know when fear should not control me. >> Play first. >> Release her first. >> You do not trust me. >> No. >> Obie. Release Adaku. >> My princess, >> you heard me.

>> Yes, my princess. >> Where are you going? >> To get the drum. I gave her my word. >> [music] [music] [music] >> You are good. >> My father was better. >> He taught you. >> Yes. >> My mother loved drums. You can go. [music] >> We should be allowed to visit our families. She cannot keep locking people away whenever she is angry.

 Please tell her to stop shouting before she even hears what happened. >> Why have all of you suddenly made me an elder? >> Must every complaint in this palace now come through you? >> They are afraid to bring them to you. >> Then perhaps they should stop complaining. You cannot question every decision I make. >> Then stop making decisions before you hear what happened.

>> Enough. Both of you. >> The workers who ask to see their families may go. They return when their leave is finished. And no confinement for the woman who broke the water pot. Let her return to work. Do not become excited. I have not become soft. >> Not always. Not enough. But it is a beginning. >> That young man? >> Nonso.

>> Yes. What about him my king? >> My daughter listens to him. She argues with him first. That is still listening. Chica will carry this kingdom after me one day. My king, do not speak as if you are leaving soon. We all leave one day. I only pray that when I finally join Amara, I will leave behind a daughter who understands that a throne cannot survive on fear.

 Her time to lead is coming closer. >> You will no longer be kept as a prisoner. >> What? >> You heard me. >> Can I go home? >> You may move around the palace freely for now. >> That is not the same thing. >> I know. >> Then I am still a prisoner. >> You will have your own room. Nobody will lock you inside. You may move around the palace grounds >> for now.

>> Yes. Better than a cell. >> There is one condition. >> I knew there would be one. >> There is a room at the far end of my private quarters. You must never enter it. >> Why? >> Because I said so. >> All right. >> I mean it. Nonso. >> I heard you. >> That room is mine. Stay away from it. >> I will. >> He is useful.

The workers like him and his drumming makes the palace quieter. He came here as a prisoner. How did he become the one person I do not want to lose? Take this food to Mama Azini. >> Should I tell her it came from you? >> No. >> But she will want to thank. >> I said no. >> [music] >> What? >> Nothing. >> Then stop looking at me like that.

>> I didn’t know you fed old women. >> Do not make something out of nothing. >> I said nothing. >> Good. My princess, his body has been burning with fever for 2 days. Why did you bring him here? My princess, I have nothing left. I heard the palace healer has medicine. >> What is his name? >> Chibi. Chibiu. You brought him here once during the new Yam celebration.

You remember Neca? >> Yes, my princess. Take the boy to the healer. >> May the ancestors bless you, my princess. Enough. >> You remembered the boy’s name. >> I remember many things. >> You could have accepted the woman’s thanks. >> I don’t [music] need thanks. >> You really don’t like people knowing when you do something kind.

>> Nonso. >> Yes. >> Find something useful to do. Yes, my princess. The more I watch her, the less I understand her. [music] [music] Princess >> Princess Chica, >> that room is mine. Stay away from it. Queen Amara. This was hers. >> What are you doing here? >> I heard something fall. >> So you entered my room. >> I thought you might be inside.

 [music] >> I warned you. >> I know. >> Then why are you touching those things? >> I wasn’t trying to disrespect you. >> Get out, >> princess. >> Get out. Don’t touch anything else. >> I already said I am sorry. >> You had no right. >> I thought something happened to you. >> Stop lying. >> Princess, leave that. >> Do not tell ME WHAT TO.

>> PRINCESS, WATCH OUT. [music] >> You nearly got yourself killed. >> Are you hurt? >> No. He is not afraid of me. >> I am fine. >> You don’t look fine. [music] >> I said I am fine. >> All right. >> Nonso. Thank you. >> You are welcome. Your mother >> don’t. >> I was only asking. >> You have already done enough. You nearly got hurt because you were angry.

>> You came here to lecture me. >> No. >> Good. >> I came to tell you your anger will destroy everything you care about if you keep feeding it. >> You enjoy testing my [music] patience. >> You have plenty of patience. You just refuse to use it. >> You should leave. >> Good night. >> Why does [music] the thought of sending him away feel worse? You have been very quiet.

>> I am fine. Something is missing. >> You have been walking around like someone buried your goat. >> That is your way of asking if I am all right. >> I asked, didn’t I? >> I miss my mother. I haven’t seen her since the day I came here. She was already sick. I don’t know if she has enough herbs.

 I don’t know if she is eaten. I don’t know anything. >> Go and see her. >> What? >> You heard me. >> You are allowing me to leave >> for a visit. You may leave to visit your mother. >> And if I decide not to return, >> that is your choice. >> I will return. >> You don’t have to promise me anything. >> I am promising because I want to >> go before I change my mind.

>> I will return before tomorrow evening. He said he will return. [music] >> Nonso. >> Mama. >> My son. >> I am fine. >> Let me look at you. >> Mama, nothing happened to me. >> That girl did not hurt you. >> No. >> Are you sure? >> Yes. I have not slept well since you left. >> I am sorry. >> You are staying >> only until tomorrow.

>> Tomorrow? >> I gave my word that I would return. >> Return where? Nonso. Have you lost your mind? Then stay here. >> I gave my word. >> This princess has entered your head. >> She hasn’t entered anywhere. >> You defend her now. >> I am only saying she is not exactly the person I thought she was.

 She imprisoned me. >> I know >> she imprisoned you. >> I know. >> And you want to return? >> She has changed. >> Listen to yourself. >> I gave my word. This princess has entered your head. >> She hasn’t entered anywhere. >> You defend her now. >> I am only saying she is not exactly the person I thought she was. >> That is even worse.

>> Mama, >> she is a princess. You are my son. Do not enter something that will break your heart. >> I know who I am. >> I hope you do. >> Hola. Nonso is back home. >> Nonso returned from the palace. >> Yes, he’s with Mangoi. >> Then I may still have a chance to finally make him see me. [music] >> Elders. Uch. Welcome.

Nonso. You know the Nosu family respects you. Olanma has returned from the city. She’s of marriageable age. She is still willing to be your wife. Still willing? Don’t hold on to words. You know what we mean. I do. With Olanma, you will not struggle. Mama Mang Goi will have everything she needs. You will have farmland, livestock, and respect.

Olanma is a good woman. But I don’t want to marry her. None so think I have. I have heard rumors that you have become close to the princess. Are you refusing amama because of that rude princess? This has nothing to do with Chika. Are you sure she has not done something to you? What does that mean? You were held in that palace against your wish.

 Now you are defending her. I said she has changed. That does not mean someone has bewitched me. Then why are you in such a hurry? >> Nonso. There is still something we must understand. I must [music] go. >> They are delaying me. I don’t know what you people are worried about. Have you seen that princess now? Even if she were the last woman alive, no man would want that face.

Don’t say that again. What? You heard me. I was joking. Then find another joke. >> You really care about her. >> I respect her. >> Is that what you call it? >> Go. Your princess is waiting. >> I told her I would return before tomorrow evening. You look surprised. >> I am not. >> You thought I wouldn’t return. >> I didn’t care.

>> That is why you are standing near the gate. >> I can stand wherever I want. It is my palace. >> Of course. >> Why did you come back? >> I am a man of my word and I gave you my word. >> He was free. Nobody forced him back. [singing] your face. >> It was a bowl, princess. >> She should learn to listen. >> She made a mistake.

>> And mistakes have consequences. >> Not every mistake deserves fear. >> You think kindness solves everything. >> No. >> Then stop behaving like it does. >> Why are you so afraid of it? >> Afraid of what? >> Kindness. I am not afraid. >> You behave as if being kind will make people think you are weak. Why? >> That conversation is over.

[music] >> My princess, >> don’t call me like that. You asked me something earlier. >> When I was a little girl, I used to hear people talking about my father. They would say King Amecha was a good king, a strong king, a blessed king. Then they would say it is only unfortunate that he has no son.

 They said a woman could not lead warriors. That a woman would become afraid when enemies came. When I cried, they said women were too emotional. When I was afraid, they said a prince would have been stronger. When I showed mercy, some people said I was soft. So I stopped. >> Stopped what? >> Everything. I stopped crying where people could see me. I stopped asking for help.

 I trained with warriors. I learned to use a staff and spear. I learned how to stand before elders without shaking. I wanted everyone to know that King Amecha did not need a son. At first, I only wanted their respect. >> And later >> later, I discovered fair was easier. >> So, you made everyone afraid of you. >> Yes. >> And then you started liking it.

>> Yes. But that was not the only thing that changed me. There was something else. I was not always like this. When I was little, I loved festivals. My mother used to take me to watch the dancers. I would sit beside the drummers until she came looking for me. She used to complain that I would return with dust all over my rapper.

>> So that is why you like the drum. >> The first night you played, I remembered her. >> Queen Amara. >> My mother loved music. She loved children too. Sometimes she would take me around the kingdom with her. We would give food to families who had nothing. >> You were happy. >> I was.

 Then one afternoon everything changed. >> My father and mother ate together. Not long after both of them became sick. My mother became worse very quickly. The healers tried everything. She died that night. >> I am sorry. >> My father survived but he never fully recovered. That is why he is still weak today. >> What happened? >> The elders investigated.

 At first, nobody understood it. Then one of the palace cooks confessed. >> She poisoned them. >> Yes. >> Why? >> She was paid. >> By who? >> Chief Noah. >> Chief Noah [music] was once close to the royal family. >> My father trusted him. He helped his family, gave him land, defended him when other chiefs wanted him removed from the council.

>> And he still betrayed him. >> He wanted power. He wanted my father gone because he believed the throne will pass to him. He wanted the royal family weak enough for him to rise. My mother died because of someone we trusted. My father became sick. And while all that was happening, people were still saying the kingdom needed a man.

 They said, “If my father died, what would a young girl do?” So you decided nobody would ever see you helpless again. >> I stopped trusting people >> and loving them. >> That too. >> What happened to you was terrible. >> But >> but what happened to you explains why you became angry. It does not make the people you hurt responsible for your pain.

>> You think I don’t know that. I don’t know what you know. >> Princess Chica, >> don’t. I hate crying. >> Why? [music] >> Because I look weak. >> No. >> Yes, >> Chica. Your mother died. Your father almost died. Someone you trusted betrayed your family. Crying about that does not make you weak. >> You don’t understand.

>> I understand enough. You are a woman. That does not make you weak. You need people sometimes. That does not make you weak either. When my beauty was [music] maybe needing someone is not weakness. >> My princess, forgive me. >> Were you hurt? >> No, my princess. Then clean it before someone steps on it. >> That is all.

 Do you want another punishment? >> No. >> Don’t smile. >> I didn’t say anything. >> You were about to. >> I was only thinking. >> That is worse. My princess, may I visit my family tomorrow? Yes. Return when your leave is finished. >> And if someone makes a mistake, >> not every mistake will end in confinement.

 She moved the basket and blamed me because you left it where it could fall. >> One at a time. She moved it. It was in the way. Where is my bracelet? >> Which bracelet, my princess? >> The coral one. You were here this morning. I was wrong. >> My princess? I accused you without proof. You can stop staring at me like I suddenly grew another head.

>> She is changing. Yes, my king. And I think I know why. So do I. >> Still nothing. I still look like a monster. [music] >> Maybe nothing will change. I will still change and become a better version of myself. [music] your tears. I saw your pain and my heart [screaming] told you. >> I did not love your face. >> I love >> Why did you stop? >> My hands are tired.

>> You are getting weak. >> I would like to see you do better. >> Give me the drum. >> You know how? >> No. >> Then sit down before you disgrace the royal family. >> What about this? >> You want to fight me? I want to see if you are as good as you claim. >> I never claimed anything. >> You talk too much. >> Stop running.

>> I am not running. You are slow. >> Slow. [music] >> You see, >> I hope you are satisfied. >> Very [laughter] What? >> Nothing. >> Then stop looking at me. >> You say that a lot. >> I am falling in love with him. I know I am. How could this happen? I look hideous. He does not even ask about me. But let someone speak badly about Chica and suddenly he has something to say.

Something has changed. >> There are things happening inside that palace that nobody is questioning. >> What things? >> Young men were taken there. >> That was some time ago. >> And that dubious man Dio was staying there. >> Aama, >> what >> is this really about those young men? >> What else would it be about? >> None.

 So >> I am concerned about what is happening in our kingdom. The princess once detained innocent people. Unmarried men were brought into the palace for DB Okoro. Should nobody ask why >> they brought unmarried young men into that palace and that canning healer Okoro stayed there for days. People should ask what they were doing.

>> What were they doing in that palace? >> These are human. We must call the elders. >> The princess was trying to break her course. They brought young men to her. Maybe Okoro killed them for her. >> My princess, there is something you should know. >> What? >> The Nosu family has been speaking strongly against you.

>> Why? >> They say they are concerned about the disappearances and the remains that were found. >> Anma, >> she has been encouraging the elders to investigate. >> I know she’s not doing this because she cares about the people. It must be because of him. What does she want from Nanso? >> My princess, >> tell me.

 I heard the Nasu family had proposed marriage to none. So they want to land to marry him. They offered him land, livestock, a home, enough food for his mother, medicine whenever Mamosi needs it. >> I can give him 10 times that. If he wants her, I have to let him go. I need to speak with you. >> What happened? >> You are free. >> I thought I was already free.

 No, I mean completely. You can leave this palace tonight. You never have to return. >> Why? >> Because I said so. >> That is not an answer. >> Olma wants you. >> So >> her family is offering you land, livestock, [music] a good home. Your mother will never suffer again. >> I was told. >> Then go. >> No. >> Non. So >> I said no.

>> You don’t owe me anything. [music] >> I am aware. You don’t have to stay because you feel sorry for me. >> I don’t. >> If you want, go to her. If you want another woman, find her. If you want to stay with your mother, stay with her. No [music] guards will stop you. No promise is holding you here.

 Why are you doing this? >> Because you should have a choice. >> She is letting me [music] go because she cares about what I want. Is that what this is about? >> Look at me, Nono. I am looking [music] at you. >> No, look at me. How can you choose this when you can have a beautiful woman? >> I don’t love Olanma. [music] I don’t want her wealth.

>> You would have a good life. >> I can work for my own life. >> She is beautiful. >> I stopped seeing your curse a long time ago. I see the woman who made terrible mistakes. I see the woman who hurt people. But I also see the woman who is trying every day to become better. >> You love me. Yes. >> But I look >> I know what you look like. I have eyes.

>> You are impossible. >> So I have been told. >> I love you too. >> Nonso. >> What is it? >> My voice. >> Chica. >> The curse. >> The old beggar. Non. So you freed me. My princess, >> you are yourself again. >> Bring me a mirror. >> It is me. You got what you wanted? >> No, I got more than what I wanted. I thought losing my face was the worst thing that could happen to me.

>> It wasn’t. >> I lost myself long before the old beggar changed my face. I know some of you are afraid. You have every reason to be. I insulted many of you. I frightened you. I punished people before hearing the truth. I locked some of you away because I was angry. Adaku. Yes, my princess. I was wrong. I used my position to hurt people because I believed fear was respect.

 I cannot command any of you to forgive me. We have seen you change in my princess. So have I. Thank you. >> My king. My princess. >> What happened? >> The elders are coming for what? They are asking questions about Dibia Okoro and the remains that were found. My king, speak. We have found human remains in places connected to Dia Okoro.

 There are also people saying young unmarried men were once brought into this palace while Okoro stayed here. >> That is true. >> Were those men brought here for sacrifice? >> No. >> But Okoro asked for them? >> Yes. And you allowed it? >> Yes. >> Some people also say Nonsoor is being held here against his will. [music] That is false.

 Were you not once detained here? I was. Then why are you still here? Because I choose to be. Nobody is stopping you from leaving. Nobody. You are here freely. Yes. I returned here freely even after Princess Chica allowed me to leave. >> He really chose her. >> [music] >> Are you happy? Are these yours? Answer: Yes.

 Did Princess Chica order these killings? >> Tell the truth. >> No. How long had you been carrying out these rituals? Before I ever came to the palace >> and the young men brought before you. >> I examined them. None of them were killed. Princess, you may speak. >> I was desperate. I allowed fair to make me foolish.

 I brought innocent men here because Aoro told me he could remove my curse. >> That was wrong. I also detained people who had done nothing. Mama Gozi was one of them. But I never agreed to kill anyone. >> Your honesty will be remembered. >> Remember my mistakes, too. I should never have allowed desperation to rule me. >> Take him away. >> Oanma, >> you came to thank me for helping investigate your princess.

>> I came because we should speak honestly. >> Then speak. >> Your family helped my mother when she was sick. I have not forgotten that. >> My family could still give you more than that. land, livestock, your own compound. We can even leave this village for the city. >> You and your elders have reminded me many times.

>> And yet you choose her. >> Yes. >> Because she is beautiful again. >> No. I loved Chica before I understood what it was. I loved her before her face changed back. >> Then there was never anything I could offer you. >> There were many things you could offer, but not the thing I needed. >> What? >> Love that does not feel like a bargain.

I don’t want to marry someone because a family can feed me. I can work. I want peace, respect, [music] friendship, and love. >> So that is your final answer. >> It has always been my answer. >> I hope you don’t regret it. >> I won’t. >> I cannot buy what he has chosen to give her freely. >> Father, there is something I need to tell you.

You have been telling me many surprising things recently. >> All my life I thought you wished I was a boy. >> What? >> I heard people talking. They always said you had no son. I spent years trying to become the son I thought you wanted. >> My child. >> I trained harder because I was a girl. I refused to cry because I was a girl.

Every time someone doubted me, I felt I had to become harder. >> Look at me. I never needed a son. I needed my daughter. >> I wish you had told me. >> I wish I had known you needed to hear it. You will lead this kingdom one day. >> Father, >> listen. Leadership is not making people afraid to speak around you.

 You already tried that. >> Yes. >> True strength is having power and still choosing justice. >> I [music] understand now. >> Yes, I believe you do. >> [music] >> Mangoi, my princess. >> My princess, what are you doing? >> I am asking you to forgive me. >> You are the king’s daughter. >> That does not make me too important to admit when I am wrong.

 You were innocent. You told me the truth and I refused to listen. >> I thought I would die inside that palace and my son had to give himself up because of me. >> Yes, I am sorry. >> You have changed. >> I am trying. >> Stand up. >> I forgive you. Thank you. Wait, >> mama. >> You too. You told me nothing. >> Mama, please. >> Again. Keep your balance.

>> You know there are people in this palace who can farm for you. >> And what will I do? >> Sit beside me >> all day. Yes, >> you will be tired of me before sunset. >> I am already tired of you. >> Then you see why I need the farm. >> No prison, [music] no curse. Nothing is forcing him to stay. [music] >> What? >> Nothing.

>> You have been staring. You used to complain when I said that. >> I learned it from you. You are happy. >> I am >> good. >> You know, I [music] still find you annoying. >> I would be worried if you didn’t. [music] The old Chica would have imprisoned me for that. >> Who told you I still cannot [laughter] >> take the council today, Chica.

 My body is weak. Lead them >> one at a time. I will hear both of you. >> My princess, we came because we cannot agree. Now you speak. I am listening. Elder Oira, you have heard both men. What do you think? >> The decision must protect what is fair, not what is convenient. >> I have heard both of you. I have heard the elder.

 I will decide by what is fair, not by who shouts louder or who has more influence. >> She listens well and judges wisely, but she is still a woman. A kingdom has never been protected by kindness alone. >> You are right. That is why I have warriors. >> [laughter] >> But warriors without wisdom can destroy the same kingdom they are meant to protect.

>> They used to become silent whenever she enters. Now they speak because they know she will listen. They no longer respect her because they fear her. My king, they respect her because she listens and makes fair decisions. >> Ekenna. My king. Call the elders. Call my daughter. Call the people closest to this family.

Thank you for coming my people. I have carried this responsibility for many years. My body is tired but my heart is at peace. I give the responsibility of this kingdom to my daughter. Do not judge her because she is a woman. Judge her by how she leads you. Do better than I did. >> I will try. No, you will. >> I am here, father.

>> I think your mother has waited long enough for me. Father, [music] >> Princess, you should rest. >> I cannot. My people need me. After all those years apart, you are beside her again. He never stopped loving you. Maybe you finally went home to her. I give the responsibility of this kingdom to my daughter. >> My father trusted me with Umuagu.

 I will carry that responsibility with justice. >> This time nobody is being forced to stay. You stand here freely before your families, the [music] elders, and the people of Umagu. Nonso, do you choose this woman freely? I do. And you, Chikaani? >> Freely. [screaming and cheering] >> Mangoi, you will finish all your tears today. Allow me.

My son entered that palace as a prisoner and came out with a wife. >> Please don’t tell the story like that. It is the truth. [laughter] >> Olanma, I do not want your family wealth to decide for you. If you choose me, let it be because you want to. >> Then this time I will choose for myself. Wealth can open many doors.

 It cannot force love. >> Continue. [music] I am listening. >> [music] >> You cannot go in. >> I only need to speak with the ruler. >> Go away. >> Please, my queen, hear me. Another old woman once stood before me hungry. I would not even look at her. Stop. >> My queen, >> let her come. What happened? My queen, I have a problem.

 I only ask that you hear me. Tell me. I am listening. >> My queen, my children are hungry. We have [music] nothing left. This is who father knew I could become. You were the first person who looked at me when I had nothing beautiful to show and still spoke to me as if I mattered. You always mattered. You only forgot. >> I never saw that old beggar again.

 I never learned where she went. But I don’t need to find her anymore. >> Why? >> The curse took my beauty for a while. But losing my face forced me to see what I had allowed into my heart. I thought strength meant nobody could hurt me. I thought love would make me weak. And I thought power meant people had to fear me. I was wrong.

 Strength does not mean cruelty. Love does not mean weakness. And power means nothing if you cannot use it with kindness. Father knew I could become this woman before I did. Thank you so much for watching our story. >> Now tell us what did you learn from our journey. >> We would love to hear from you. But you [music] stay close.